October 30, 2024, 3 pm

Many thanks to the director Sebastian Pflum introducing our participants to the concept, program & history of Stiftung Kunstforum Berliner Volksbank and to Friederike Bloch guiding us through the group exhibition DURCHDRINGEN: Das U/unheimliche s/Sehen [INTER/PENETRATION: The Uncanniness of Seeing] by artist and curator Michael Müller. The visit is part of the BAI Studio Program | Berlin Artist Residency, Art School, Arts Incubator, and Live Online Courses & Classes.

Exhibition Date: September 11 – December 08, 2024
Location: Stiftung Kunstforum Berliner Volksbank
Opening Hours: Tuesday – Sunday, 10 am – 6 pm
Address: Kaiserdamm 105, 14057 Berlin

“The two-part exhibition, Durchdringen: Das U/unheimliche s/Sehen, by artist and curator Michael Müller is on display from 11 September 2024 to 8 December 2024 at the Stiftung Kunstforum Berliner Volksbank as part of Berlin Art Week 2024. With a semantically and typographically layered German title, which roughly translates to “Inter/Penetration: The Uncanniness of Seeing”, it explores complementary pairs, as found, for example, in the various definitions of penetration (durchdringen), which can mean not only comprehend but also probe or scrutinise, among other things. Against this background, the exhibition also considers the relationship between the familiar (heimlich) and the mysterious (unheimlich), which psychoanalyst Sigmund Freud discussed in his 1919 essay “The Uncanny” (“Das Unheimliche”). Seemingly antithetical things, events and processes can, in fact, be mutually interrelated and inextricably connected.

In the first part of the exhibition, in which Michael Müller presents works from the Kunstsammlung der Berliner Volksbank, its exhibition design and staging hinder habitual ways of seeing, compelling visitors to change their perspective and position in the darkened, compact spaces as they are denied their customary practice of moving closer to artworks. The individual works’ self-evident and familiar aspects recur in altered form, demanding they be examined with new eyes. What the viewer sees is unfamiliar and remains vague, thus revealing each artwork’s underlying layers and empty spaces, its lacunae, which previously had been concealed by supposed familiarity and assumed understanding.

In the second part of the exhibition, Michael Müller increasingly adopts the role of the artist, responding to the collection via his artworks, scrutinising it by aesthetic means. Müller makes it impossible to pigeonhole artists and works according to conventional aesthetic, stylistic, historical and substantive categories. Instead, he creates a series of independent narratives in which two works are juxtaposed and brought into dialogue.” (Text excerpt from the press release by courtesy of Stiftung Kunstforum Berliner Volksbank)

More information on the Stiftung Kunstforum Berliner Volksbank Website.