Master Class THE ARABIAN PENINSULA: A History of Visual Representation by Ghada AlMuhanna

“Embark on an enthralling journey into the rich history and cultural heritage of the Arabian Peninsula through this 3-day intensive Master Class THE ARABIAN PENINSULA: A History of Visual Representation by Ghada AlMuhanna at the BERLIN ART INSTITUTE (dates will be published soon). The region, known as the birthplace of Islam and home to some of the world’s oldest civilizations, offers a diverse tapestry of traditions, and customs that have evolved over millennia. This course delves into the evolution of visual representation in the Arabian Peninsula, exploring the ways in which the region’s past and present have been captured, interpreted by visitors, and reclaimed by current generations of artists, photographers, and filmmakers. Participants will develop a deeper appreciation for the beauty and complexity of this unique cultural landscape while fostering a critical understanding of its portrayal in contemporary media. Ideal for individuals of all backgrounds and levels of experience, this masterclass is a must for those seeking to broaden their knowledge and understanding of the Arabian Peninsula and its vibrant visual history.” (Text & photos by courtesy of Ghada AlMuhanna)

Day 1
9:30 AM Reception at the BAI
The Visual History of the Arabian Peninsula

The course begins with an overview of the visual history of the region, exploring the pre-Islamic identity and the significant impact of Islam’s advent. Participants will also delve into the role of early photographers in capturing and preserving the Arabian Peninsula’s visual culture, and how some of the images were manipulated for other purposes.

Morning Session:

• Introduction to the visual history of the Arabian Peninsula, including an exploration of pre-Islamic art and architecture.
• The advent of Islam and its impact on the region’s visual culture, examining key artistic achievements.
• The role of early photographers, both local and foreign, in capturing the Arabian Peninsula’s visual identity, and the implications of their work.

Afternoon Session:

• Discussion of the colonial gaze in early photography, analyzing instances of manipulation and misrepresentation.
• Group activity and discussion: Participants will analyze a selection of early photographs, identifying the cultural, historical, and political contexts, and discussing their significance.

Day 2
The Bad Arab

On the second day, the focus shifts to the portrayal of Arabs in the media, with a special emphasis on Dr. Jack Shaheen’s seminal work, “Reel Bad Arabs.” Participants will engage with the concept of Orientalism in the 21st century and critically examine current media representations of the region. Participants will also be engaging with the concept of “Othering” as defined by Stuart Hall.

Morning Session:

• Introduction to Dr. Jack Shaheen’s “Reel Bad Arabs”, Edward Said’s Orientalism and Stuart Hall’s “Othering” and their relation to media representations.
• Viewing of “Reel Bad Arabs: How Hollywood Vilifies a People Documentary” by Dr. Jack Shaheen.

Afternoon Session:

• Analysis of various film and media portrayals of Arabs, focusing on the use of stereotypes, caricatures, and negative tropes.
• Group activity and discussion: Participants will analyze selected film clips and discuss the implications in contemporary media.

Day 3
Reclaiming Visuals and Stories

The final day of the masterclass is dedicated to the exploration of the cultural revolution in the Arabian Peninsula, highlighting the efforts to reclaim visual narratives and challenge prevailing stereotypes. Participants will discuss topics such as self-orientalizing, as well as the prospects and opportunities for a more authentic and nuanced representation of the region.

Morning Session: 

• Presentation on the cultural revolution in the Arabian Peninsula, highlighting significant artists, filmmakers, and cultural initiatives.
• Exploration of the efforts to reclaim visual narratives and challenge stereotypes, including a discussion of self-orientalizing and its impact on the region’s visual identity.

Afternoon Session: 

• Case study discussions on successful reclamation of visual narratives in film, art, and other forms of media.
• Group activity and discussion: Conclusion and reflections on the masterclass, identifying key takeaways and opportunities for further learning and exploration

Hours: Each day from 10 AM – 4 PM (including several breaks & lunchtime)

Seats: Min: 6 | Max: 20 | Language: English

Fees: There is a one-off registration fee of €50. The participation fee is €510 per person (without accommodation).

The fee is VAT-exempt by the Governing Mayor of Berlin – Senate Chancellery Higher Education and Research pursuant to Paragraph 4 No. (21) (a)(bb) UStG (German Value Added Tax Act).