5. September 2015, 17 – 1 Uhr zur Kasseler Museumsnacht Einweihung der LAGE und Ausstellungseröffnung RABBIDRAGONHORSE Stephanie Jünemann, Ralf Schmitt und Ruben Schmitt mit Designs von Ekachai Eksaroj Ausstellungsdauer: 5. – 16. September 2015 Ort: LAGE [...]
September 5, 2015, 5 pm – 1 am during Kasseler Museumsnacht Inauguration of LAGE und exhibition opening RABBIDRAGONHORSE Stephanie Jünemann, Ralf Schmitt and Ruben Schmitt with designs by Ekachai Eksaroj Exhibition Dates: September 5 – [...]
2. September 2015, 15 Uhr Vielen Dank an den Galeriedirektor Luca Barbeni für seine Einführung in die Konzeption seiner Galerie und seine Führung für unsere TeilnehmerInnen durch die Ausstellung „The [...]
September 2, 2015, 3 pm Many thanks to the gallery director Luca Barbeni introducing our new participants to his gallery concept and guiding us through the exhibition “The Glomar Response”, [...]
26. August 2015, 14 – 16 Uhr Black Mountain. Ein interdisziplinäres Experiment 1933-1957 5. Juni bis 27. September 2015 Hamburger Bahnhof – Museum für Gegenwart – Berlin Invalidenstraße 50-51, 10557 [...]
August 26, 2015, 2 – 4 pm Black Mountain. An Interdisciplinary Experiment 1933– 1957 05.06. – 27.09.2015 Hamburger Bahnhof - Museum für Gegenwart – Berlin Invalidenstraße 50-51, 10557 Berlin "The interdisciplinary [...]
Aug 18 – 20, 2015, 2 – 5 pm Many thanks to the artist Doris Marten for her seminar "STRIPES - THE MOST ABSTRACT PATTERN IN MODERN PAINTING" "Parallel lines [...]
18. – 20. August 2015, 14 – 17 Uhr Vielen Dank an die Künstlerin Doris Marten für ihr Seminar „STRIPES – THE MOST ABSTRACT PATTERN IN MODERN PAINTING“. „Parallele Linien haben [...]
12. August 2015, 14 – 17 Uhr Vielen Dank an die Künstlerin Patricia Lambertus für ihren Vortrag „Kiss me, Hardy“: Stratigrafien zwischen Kitsch und Gewalt in Bildräumen des Wohnens. „Ausgehend von historischen Panoramatapeten [...]
August 12, 2015, 2 – 5 pm Many thanks to the artist Patricia Lambertus for her lecture "Kiss me, Hardy": Stratigraphy between kitsch and violence in visual spaces of living. [...]
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